Mid Air.
Store Opens January 2025.
Mid Air was a physical response to how Horgan’s work had been reimagined over the past 12 months. Reacting and noting his private clients visible change in posture and stance, He responded with this collection about a feeling of ascension. While his work has always played with a sense of transportation, he notes that usually it was always forward, while concluding this collection was about suspension and being pulled upwards. Fabrics are visible lifting away from the body while also reacting to that sense of being pulled upwards. Fabrics are reinforced and layered on the shoulders, with a continued utility element and signature twin needle stitching. Staple colours of Navy, Blue but molten black give old familiarity to his graduation work from The Royal College of Art, but with a weightless feel.
Mid Air was a physical response to how Horgan’s work had been reimagined over the past 12 months. Reacting and noting his private clients visible change in posture and stance, He responded with this collection about a feeling of ascension. While his work has always played with a sense of transportation, he notes that usually it was always forward, while concluding this collection was about suspension and being pulled upwards. Fabrics are visible lifting away from the body while also reacting to that sense of being pulled upwards. Fabrics are reinforced and layered on the shoulders, with a continued utility element and signature twin needle stitching. Staple colours of Navy, Blue but molten black give old familiarity to his graduation work from The Royal College of Art, but with a weightless feel.
Colin Horgan presented Mid Air, his first ‘seasonless’ collection at Drury Buildings Loft Terrace. Continuing his partnership with Orchard Thieves WILD, the space became an exploration of senses while transporting guests into an ambient, eclectic vessels that play important roles in his work.
Mid Air was a physical response to how Horgan’s work had been reimagined over the past 12 months. Reacting and noting his private clients visible change in posture and stance, He responded with this collection about a feeling of ascension. While his work has always played with a sense of transportation, he notes that usually it was always forward, while concluding this collection was about suspension and being pulled upwards. Fabrics are visible lifting away from the body while also reacting to that sense of being pulled upwards. Fabrics are reinforced and layered on the shoulders, with a continued utility element and signature twin needle stitching. Staple colours of Navy, Blue but molten black give old familiarity to his graduation work from The Royal College of Art, but with a weightless feel.
